Canon EF-S 55-250mm f/4.0-5.6 IS Telephoto Zoom Lens for Canon Digital SLR Cameras

!±8± Canon EF-S 55-250mm f/4.0-5.6 IS Telephoto Zoom Lens for Canon Digital SLR Cameras

Brand : Canon | Rate : | Price : $229.95
Post Date : Feb 26, 2012 06:45:05 | Usually ships in 24 hours

This telephoto zoom lens is designed with Canon's Optical Image Stabilizer technology while retaining compactness and lightness, in response to demands of photographers. This high zoom ratio lens is equivalent to a focal length of 88-400mm in the 35mm format (when used on Canon EOS cameras compatible with EF-S lenses), and the image stabilizer effect equivalent to a shutter speed about 4 stops faster than the same size lens without Image Stabilizer. In other words, if the slowest shutter speed you could formerly hold a 250mm lens steadily was 1/250th of a second, with Canon's 4-stop stabilization correction, you could hand-hold at shutter speeds as slow as 1/15th of a second. It also uses a UD-glass lens element to correct chromatic aberration for excellent image quality throughout the zoom range. This new EF-S telephoto lens with great features delivers excellent performance at an affordable price for all photographers.

• Focal Length & Maximum Aperture: 55-250mm F/4-5.6
• 12 Elements In 10 Groups, Including One UD-glass Element
• Focus Adjustment: DC Motor, Gear-driven(front Focusing Design)
• Closest Focusing Distance: 3.6 Ft./1.1m

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Nikon 50mm f/1.8D AF Nikkor Lens for Nikon Digital SLR Cameras

!±8± Nikon 50mm f/1.8D AF Nikkor Lens for Nikon Digital SLR Cameras

Brand : Nikon | Rate : | Price : $0.00
Post Date : Feb 05, 2012 18:16:04 | Usually ships in 24 hours

Nikon 50mm f/1.8D AF Nikkor Lens for Nikon Digital SLR Cameras

Nikon 50mm f/1.8D AF Nikkor Lens for Nikon Digital SLR Cameras

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naturally The Best Digital Slr Camera - duration

!±8± naturally The Best Digital Slr Camera - duration

So, you've decided to make the jump from straightforward point and shoot cameras into the realm of Slr photography. If you've done any sort of research, your mind and eyeballs are probably reeling from an overload of information. Digital Slr photography, is one those hobbies that is rich with technological jargon. It gets worse, if your one of the perfectionist type that easily likes to minutely analyze any major purchase . . . Intent on getting the best digital Slr camera for your money. You could be in for a long bumpy ride. Today it's time to shorten that ride and smooth out the bumps.

Lets get right to it. It's very true, that the heavy popularity of digital cameras (Slr and otherwise) and rapid technical advances have produced a glut of choices and features that can be bewildering to the midpoint consumer. Those same trends have have also pushed commerce and sell establishments to be highly contentious in both found and pricing. That's something that can only advantage the consumer. In a combine of ways actually. Not only do you have a bevy of choices, but the vast majority of those Slr choices are easily good cameras. Long story short . . . It's hard to go wrong in this category. I'll make it even simpler for you. Pick any one of the following three digital Slr cameras, and you won't be disappointed. They are the Canon Digital Rebel Xti, the Nikon D40, and the Olympus Evolt E510. As of this writing, the 10 megapixels flavors for these cameras are all ready for about 0. That includes a basic kit lens. That feels like highway robbery, compared to the 00 I paid for a good point and shoot digital just a few years back.

When finding for the best digital Slr camera you can find, the leading word to remember is "You". Ask a dozen camera enthusiasts why they their favourite camera is their favourite, and you likely get a dozen answers. Every photographer takes pictures for dissimilar reasons, values dissimilar attributes in the concluded pictures, and handles a camera differently. And so will you. A good hands-on practice before production your final selection, would be to go to a speciality camera store with lots of models on hand, while a non busy time. Try out as many models as you can, taking pictures of people, things, shadows, and any odd lighting areas of the store you can. Try dissimilar lenses to. Have lots of questions for the sales people, but take their answers with a grain of salt. They are sales population after all. The actual experience of handling and using the camera should be your final factor in production your decision. Not specifications like burst mode, megapixels, Iso, or sensor size. The best digital camera, is the one that enables You to take the best pictures you can.

naturally The Best Digital Slr Camera - duration

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Nikon 35mm f/1.8G AF-S DX Lens for Nikon Digital SLR Cameras

!±8± Nikon 35mm f/1.8G AF-S DX Lens for Nikon Digital SLR Cameras

Rate : | Price : $199.00 | Post Date : Jan 14, 2012 01:34:06
Usually ships in 24 hours

The AF-S DX Nikkor 35mm f/1.8G optical design allows a different look and feel to images taken with zoom lenses, and its dimensions are ideal for discrete snapshots and landscape shooting with a picture angle that approximates that of the human eye. With its rounded seven-blade diaphragm opening, out-of-focus elements appear more natural. When mounted on a DX-format SLR, the picture angle is the 35mm equivalent focal length of 50mm.

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How camera lenses are made

!±8± How camera lenses are made

From the Discovery Channel

How camera lenses are made

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Digital SLRs: Why are so many People going to Digital Single Lens Reflex (dSLR) Cameras?

!±8± Digital SLRs: Why are so many People going to Digital Single Lens Reflex (dSLR) Cameras?

As the digital bandwagon makes its way around the world, we are seeing its tracks touch almost every part of our daily lives. From digital chips in automobiles, coffee makers, telephones, televisions and credit cards, one of the most booming industries the digital era has revolutionized is photography.

While film-based SLRs have been around for nearly a century, digital SLRs have only been around for about a decade. Once a luxury and strictly for the professional crowd, digital SLRs have evolved into a camera that today is being picked off the shelves by amateurs and advanced hobbyists. This change has been brought on by falling camera prices, better picture quality and increased capabilities of these cameras.

But why SLR?

Today's digital SLRs have the best of both worlds: these cameras can morph from a full manual camera to a point-and-shoot camera with a turn of a dial. They often sport higher mega-pixel image sensors, interchangeable lenses, more on-board functionality, beefier and more durable bodies, faster shutter speeds and instantaneous response from the camera once the shutter button is pressed than standard point-and-shoot digitals.

If you're accustomed to the point-and-shoot cameras of today, there are a few things you'll probably miss with a dSLR. To accommodate interchangeable lens mounts that are backwards compatible with older lenses, to allow for larger image sensors and to mimic the feeling of traditional SLR cameras, dSLRs are generally much larger than point-and-shoot cameras. While there are many pluses for having a larger body, tourists and those hoping to stay inconspicuous may want to stay with the small confines point-and-shoot cameras.

Another drawback of dSLR cameras compared with point-and-shoot cameras is that there is no live preview on the rear screen. dSLRs lack this for two reasons: first, there is a shutter and a mirror blocking the path of light from the lens to the image sensor; secondly, more and more of today's dSLRs are using CMOS image sensors (which are less expensive to manufacture and take less energy to use compared to its CCD rival) do not offer a way of having a live preview due to the inability to map pixels into a matrix.

So while dSLRs may not be for those who need live previews or small camera bodies, their capabilities are much greater than point-and-shoot cameras -- at a price.

Digital SLRs: Why are so many People going to Digital Single Lens Reflex (dSLR) Cameras?

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$15 Camera Stabilizer - DSLR PVC Shoulder Rig Tutorial - QUICK FX

!±8± Camera Stabilizer - DSLR PVC Shoulder Rig Tutorial - QUICK FX

Today we cover the process of building your own PVC shoulder rig for your camera! (Also known as a Camera Stabilizer) I know there are all kinds of PVC shoulder rig tutorials on the web, but the design in this episode is made specifically for a DSLR camera!! If you are having trouble finding a conduit box in your area, check out this video for another camera mount option: www.youtube.com The foam padding used on this project is "crafting foam" and is available at art stores. Here's a link if you need more information: www.amazon.com A detailed breakdown of this build is available here: www.instructables.com Sample video of the shoulder rig in action is available here: youtu.be For more PVC building projects check out: www.thefrugalfilmmaker.com Find us on Facebook http Thanks again for taking time to watch my videos! I appreciate your feedback! Mini Movie submitted by: www.youtube.com Add your 30 second 'mini movie' as a video response to this video and we might show it on the next episode of Quick FX!! ((Keep it clean and make sure it's no longer than 30 Seconds!)) Be sure to Rate, Comment, and Subscribe!! More great videos coming soon!! This episode: Recorded on the Kodak Zi8 Edited on Adobe Premiere CS5

Camera Stabilizer - DSLR PVC Shoulder Rig Tutorial - QUICK FX

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